Aegrus--In Manus Satanas cd{Saturnal Rec.} posted on 9-28-19


Aegrus--In Manus Satanas cd{Saturnal Rec.}
Aegrus is a black metal band coming out of the mighty Finnish scene.In Manus Satanas is the bands newest full length.The guitars are played with mainly fast razorsharp guitar chords and patterns.The guitarist does slow to a more controlled mid paced style in some of the tracks even adding some guitar solo's in a few of the songs.The vocals are raw,grim black metal screams and shrieks that fit the bands music perfectly.The drums are played with hyperspeed blasting drums but the drummer does slow to a more controlled mid paced range throughout a few of the tracks before blasting away at the kit.If you are looking for a band that plays uncompromising satanic black metal then look no further and pick up a copy of  In Manus Satanas today.
                                                                            Label  Contacts
                                                                        http://www.saturnalrecords.com/web/
                                                                       https://saturnalrecs.bandcamp.com/
                                                                     https://www.facebook.com/saturnalrecords
                                                                            Band Contacts
                                                                       https://aegrus.bandcamp.com/
                                                                     https://fi-fi.facebook.com/Aegrusofficial/

Interview with Atra Mors done on 9-23-19

Interview with Atra Mors 

1.Hello Noctu thank you for taking the time to fill this interview out would you please introduce yourself to the readers?
 Honestly there is little to say about me. For years I have been following an esoteric path and, at the same time, I transmit my knowledge through the music I compose. In addition to a marked predisposition to misanthropy.
I'm not what you would call a great musician, but I have a lot of ideas on my mind and I try to materialize them to the fullest.

2.When did you first become interested in writing and playing music?What were the first instruments you learned to play?Who are some of your favorite musicians and influences?
I started playing as a teenager, around the age of 14, shortly after starting my esoteric journey.
I started playing guitar. I also immediately tried as a vocalist.
For a long time I played in several local bands (in the early 90s). I went from one band to another because I couldn't find the best way to express what I wanted.
Thrash Metal was my starting point ('86) with bands like Metallica, Sepultura, Venom. In a few years I switched to the Death Metal of Obituary, Grave, Unleashed, Asphyx, etc., and shortly after ('93), thanks to a friend, I listened to "A Blaze in the Northern Sky" and "Under a Funeral Moon" by Darkthrone . For me it was a shock! That raw, cold and morbid sound was the definitive answer to what I was looking for. Burzum, Immortal, Satyricon, Bathory and other bands became my daily bread.
The problem is that in those years there were few people who listened to Black Metal and even fewer who played it.
I also tried to listen to the few Italian bands that played Black Metal at that time, like Opera IX and Mortuary Drape. But honestly, these bands had a very different sound than what I liked.
So I started playing bass, drums and keyboards too.
I wanted to do everything myself like Varg Vikernes with his Burzum.
But I hadn't considered a very important detail: Italy has always been considered a poor nation on a cultural level. The glories of the previous century were only a memory.
The modern mentality based only on fashions and appearances, as well as the average stupidity of the people, has led my country to an unprecedented decline.
And this has negatively affected my expectations. Every time I created a new demo and proposed it to some sector label, I didn't even receive an answer.
This led to an exponential growth of the misanthropy I had inside. So I stopped playing, dedicating myself to something else. But the appeal of Black Metal was strong. In 2007 I returned with the Shadowolf project, but my plans were again frustrated. I also set aside that project. Then, in 2015, I created Atra Mors. During the following year I created some demos and two albums, but all the material remained in digital format because not even a label deigned to consider my material.
Then, during 2018, while composing what would become the third album, I decided to try a change. I focused on the instrumental parts, thinking of sharing this project with a vocalist from a country other than my own. At that time I was in contact with musicians from Finland, but none of them seemed to be interested in this collaboration. Collaborate with an Italian? Absolutely not! Never mix with the mafia scum.
Then one day, while I was looking at my vinyl collection, I found myself in the hands of the Black Funeral albums. I knew Michael for his fame, both musically and from an esoteric / spiritual point of view. I remember that I thought "He is too high for me".
But what did I have to lose? Anything.
So I tried to contact him and ask him to listen to the new album I had recorded. To my surprise he agreed to record the vocals. And what you can now listen to is the result.


3.Are their any instruments that you would like to learn to play one day?
There are actually several instruments that I'd like to learn to play, like violin, cello, some ethnic instruments and especially the saxophone.
If I get the chance, I won't let it slip away.


4.You started Atra Mors in 2015 what gave you the idea to start this band?How did you choose Atra Mors as the name of the band and does it have a special meaning?
Atra Mors represents the veneration of Death.
The ultimate goal of my esoteric and spiritual journey combined with my misanthropic attitude and the desire to see Death at work against the modern world. I hate 90% of what the modern world offers: politics, corruption, the mafia, fashions, etc.All aspects that lead the human being to be an empty shell that runs after trivial banalities demonstrating a stupidity without brakes.
There are so many things in the world that can give life a great meaning. I and others like me have chosen to go beyond appearances and fill our souls with Ancient Wisdom, while we find ourselves surrounded by subhuman slaves of emptiness.


5.Dominate Upon The Throne Of Might is the bands third full length release how long did it take you to write the music for the new release?Which usually comes first the music or the lyrics?
In total, it took me about two weeks to write music and lyrics, but this was broken down over several months.

I write and compose only when I feel the right inspiration. When inspiration is lacking it is useless for me to try to write something. I would lose only time.
In any case, I don't have a specific method to compose. Inspiration can come from other music I listen to, from a movie I saw, from a book I read, from moments of hiking between mountains and forests. Everything is then filtered through my continuous studies of esoteric matter. The occult is an integral part of my life and everything is filtered by it.
Sometimes I start with a guitar, bass or keyboard line. Other times I start with a text for the lyrics.
I think that having no limits is the best thing, for any artist.


6.On the new release you have Baron Draconian Abandon handling the vocals for the band are you happy with the job he did on the new songs?Will you two work together on future Atra Mors releases?
I am fully satisfied with the result. Michael has created something truly unique and particular. And he got to experience something different from what he produces with his main band, Black Funeral.
As I said, he was interested in what I composed. Moreover he was not limited by prejudices about my origin. Indeed, he has amply demonstrated his admiration for my heritage. I am originally from Lombardy, the central region of Northern Italy. A beautiful area. In the southern area there are boundless plains and in the north the Orobic Alps. Furthermore, my area is rich in medieval history, an aspect that greatly fascinates Michael.
All this inspired Michael to create some of the best vocal lines ever produced.
As for the band's future, I don't know what to say yet. I never make predictions about it. I'd like it if Michael still worked with me. I admit that it is mainly because of his fame that this album had this media exposure. I believe that without him, this album would not even have been considered.
But I can't say if he wants to continue this collaboration.
I honestly don't even know when and if there will be a new album.
Everything will depend on my inspiration. I don't know where she will lead me.


7.Besides the Dominate Upon The Throne Of Might release are the bands previous releases still available for the readers to purchase?Besides physical releases do you currently have any other merchandise available for the readers to buy if yes what is available and where can the readers buy it?
 Honestly, the old material, released in 2016, was available for a limited period of time through a streaming site that I used to offer my albums to various labels. But, having been totally ignored, I deleted the link.
I had thought of opening a bandcamp page, but for what purpose?
The new album was made available by Humanity's Plague Productions in digital format and CD.
The old material is never interested in anyone, so why would anyone be interested now? Just because now there's Michael? Do my compositions have acquired value just because he is there? If for people I've always been a loser, I will continue to be a loser. So all these Black Metal "pundits" can kiss my ass and go fuck themselves!


8.Besides working in Atra Mors do you currently work with any other bands or solo projects?If yes please tell the readers a little about them?
In the same period in which I created Atra Mors, I also created Noctu, a Funeral Doom project (another musical genre that possessed me) that owes to bands like Nortt, Evoken and Mournful Congragation.
I also created Necromist, another project (first shared with the drummer Nebula) of which I made 5 demos, a concentrate of Black / Death Metal with punk and Industrial influences.
Recently I realized an Atmospheric Black Metal project with Industrial influences called Nameless Void, inspired by bands like Mysticum and Darkspace. In this project RM is involved in the voice (Urna, Dea Marica, Arcana Coelestia, Locus Mortis, Aphonic Threnody).
In addition to this, I also created a project, totally alone, called Nocturnal Convocation, in which I put together elements of Sludge, Doom and Death Metal.


9.What does Black Metal mean to you?
 This is a question I often hear myself asking, especially lately.
A precise answer cannot be given. Black Metal is certainly not what many today's bands think, concentrating on experimenting with new sound solutions to impress young people today.
True Black Metal is an attitude, a way of life and a way to transcend ancient spirituality. The musical part serves to channel the energy generated through true esoteric rituals.
Many think that playing Black Metal is a way to express their disagreement with society, politics and religion. But they are totally wrong. All these Black Metal posers would do better to call their music otherwise, because it's anything but Black Metal.
Instead, "we continue to fly beyond the Dark Gates".


10.Thank you Noctu for taking the time to fill this interview out do you have any final words for the readers?
Thank you for accepting my words.

True Black Metal is only for those who have the will to go beyond the physical world they have before their eyes.
Everyone else can stay away.
Fuck You All!!!

Band Contact
https://www.facebook.com/Atra-Mors-Officialsite-848577398608399/
Label Contacts
http://www.hpp666.com/
https://www.discogs.com/seller/humanitysplagueprod/profile
https://www.facebook.com/HumanitysPlagueProdBlackMetal/

Idolatry--In Nomine Mortis cd{Humanitys Plague Prod.} posted on 9-15-19


Idolatry--In Nomine Mortis cd{Humanitys Plague Prod.}
Coming out of the Canadian black metal scene is Idolatry with their newest full length in Nomine Mortis.The new release contains a very well written and performed intro and nine tracks of harsh yet well performed black metal intensity.The music is a mix of fast and crazed blackend metal but the band does perform some more structured mid paced patterns entertwined into the music.The vocals are a mix of raw black metal screams and some gruff growls and hollering are used in a few of the songs.The guitar work is done with both extremely fast and chaotic guitar patterns but do slow to a more calm guitar passages.If you are looking for a band that cobines both harsh black metal with some classier well composed black metal then do yourself a favor and pick up a copy of In Nomine Mortis today.
                                                                        Band Contact
                                                      https://www.facebook.com/idolatryblackmetal
                                                      https://idolatryblackmetal.bandcamp.com/
                                                                        Label Contact
                                   https://www.discogs.com/seller/humanitysplagueprod/profile
                                   https://www.facebook.com/HumanitysPlagueProdBlackMetal

Violent Demise Web-zine Contact Info

Inquiries and Support for "Violent Demise Web-zine" can be directed to: fiendformetal@live.com https://twitter.com/PDeathras...